Fifty years on, VERTIGO has lost none of its power as a gripping thriller, but as we know in our Dr.-Phil-enlightened age, it's also an exploration of some serious untreated emotional disorders. Stewart doesn't play against type so much as he burrows into his persona to newfound and frightening depths as a San Francisco detective who finds himself obsessed by (at least) two versions of the seductive Kim Novak.

(And if you want to make it a double-feature, be sure to catch Rear Window at 4:30pm!)

On August 7, 1974 a young Frenchman named Philippe Petit stepped out on a wire illegally rigged between New York's Twin Towers, then the world's tallest buildings. After nearly an hour dancing on the wire, he was arrested, taken for psychological evaluation and brought to jail. Petit spent eight months in New York planning the execution of the coup. Aided by a team of friends and accomplices, he had to find a way to bypass the World Trade Center's security; smuggle the heavy steel cable and rigging equipment into the towers; pass the wire between the two rooftops; anchor the wire and tension it to withstand the winds and the swaying of the buildings. The rigging was done by night in complete secrecy. At 7:15 AM, Philippe took his first step on the high wire 1,350 feet above the sidewalks of Manhattan. James Marsh's documentary brings Petit's extraordinary adventure to life through the testimony of Philippe himself, and some of the co-conspirators who helped him create the unique and magnificent spectacle that became known as "the artistic crime of the century." Music by Michael Nyman.

"Ben Stiller, Jack Black and Robert Downey Jr. lead an ensemble cast in Tropic Thunder, an action comedy about a group of self-absorbed actors who set out to make the most expensive war film. After ballooning costs force the studio to cancel the movie, the frustrated director refuses to stop shooting, leading his cast into the jungles of Southeast Asia, where they encounter real bad guys."

"Lazy stoner Dale Denton has only one reason to visit his equally lazy dealer Saul Silver: to purchase weed, specifically, a rare new strain called Pineapple Express. But when Dale becomes the only witness to a murder by a crooked cop and the city's most dangerous drug lord, he panics and dumps his roach of Pineapple Express at the scene. Dale now has another reason to visit Saul: to find out if the weed is so rare that it can be traced back to him. And it is. As Dale and Saul run for their lives, they quickly discover that they're not suffering from weed-fueled paranoia; incredibly, the bad guys really are hot on their trail and trying to figure out the fastest way to kill them both. All aboard the Pineapple Express."

"Eight years ago, Margot Beck was murdered by a serial killer. Though the killer has confessed to eight of these murders, he has always denied to be responsible for Margot's death. However, the specific mutilations found on her body seem to remove all doubts over his guilt. Today, Alexandre Beck, her husband, is still deeply psychologically injured by the loss of Margot. He temporarily escapes his memories during the day by immersing himself completely in his work as a pediatrician. Outside of that, only the friendship he has formed with Hélène Perkins saves him from total isolation from the rest of the world. But when two new bodies are uncovered near where Margot's body was discovered, Margot's case is reopened. At the same time, Alexandre receives a strange e-mail with a link to a video-surveillance web-cam and a time at which to watch it..."

This rarely screened super-thief flick features B-movie fave John Phillip Law in a starring role as Diabolik, an international man of mystery who steals from the rich to… well… keep it for himself. Yes, Diabolik is a thief, pure-and-simple, but he is perhaps one of the hippest robbers ever committed to celluloid. Sort of like To Catch A Thief on steroids, DANGER: DIABOLIK features great locations, beautiful women, fabulous riches, and a cop who will stop at nothing to catch his man. Directed by the immortal Italian schlock master Mario Bava and featuring a devilishly charming performance by Law, this movie is a colorful, mod confection not to be missed on the big screen.

"The mythical world starts a rebellion against humanity in order to rule the Earth, so as Hellboy and his team returns they must save the world from the rebellious creatures. Now, as the creatures who inhabit the spiritual realm gear-up for an all out attack on the human plane, the only one capable of saving the Earth is a tough-talking hellspawn rejected by both worlds."

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.

"After hundreds of lonely years of doing what he was built for, WALL-E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL-E has inadvertently stumbled upon the key to the planet's future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL-E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen. Joining WALL-E on his fantastic journey across a universe of never-before-imagined visions of the future, is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots."

"Alexandra, played by opera legend Galina Vishnevskaya, is an elderly woman who has come to see her beloved grandson Denis (Vasily Shevtsov), a young officer at a remote military outpost. In oppressive heat, with the enemy just beyond the compound, she acquaints herself with the routines of military life and makes a revealing trip into the outlying countryside. An official Selection at the Cannes, Toronto and New York Film Festivals, Alexandra is a powerful new film from the great Alexander Sokurov, director of Russian Ark and Father and Son. (Fully subtitled)"

The Animation Show is back with an all-new collection of incredible independent animation! This year Mike Judge has gathered together over two dozen of his favorite funny short films from around the world. It's a groundbreaking program of eye-popping adult animation from tomorrow's next great animators. This isn’t a dirty “adults only” animation show but the program does skew towards a mature audience with some explicit language and adult subject matter. This year The Animation Show has commissioned some truly amazing new work from four incredible artists. Kicking things off is the uber-talented Joel Trussell with an epic viking Animation Show Intro. Australian animator Dave Carter debuts three new commissioned shorts with the hilarious “Psychotown.” Dave continues his collaboration with the comedy team The Nice Guys for a blend of cut out and stop-motion animation. Also featured is stop-motion superstar PES, who has been an Animation Show regular the last two tours and returns this year with the instructional cooking treat “Western Spaghetti.” This is PES’s most complex film to date and an instant classic! The program also features the first commissioned short film from the commercial design team Smith and Foulkes (known for their award-winning commercial spots for Coke and Motorola) with the CG tale “This Way Up.” The piece centers around two undertakers working hard to lay the dead to rest. Like past tours this new program is packed with festival favorites and premieres. This year The Animation Show is the first to theatrically share the work of Steve Dildarian (new HBO series "The Life and Times of Tim" debuting in September). Another highlight is a collection of films never seen in the U.S. from the prestigious French animation college Gobelins, featuring the shorts “Burning Safari,” “Cocotte Minute,” “Voodoo” and “Blind Spot.” Returning this year are animation greats Bill Plympton with the premiere of “Hot Dog,” Corky Quakenbush with the irreverent “Yompi” and Georges Schizgebel’s gorgeous “Jeu"!

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"More scrupulously reported than your average Michael Moore film but every bit as entertaining." - Peter Debruge, Variety

From the producers of BOWLING FOR COLUMBINE and FAHRENHEIT 9/11 comes a new film that unflinchingly explores America's win-at-all-cost culture through the lens of a personal journey. Blending comedy and pathos, BIGGER, STRONGER, FASTER* is a collision of pop culture and first-person narrative, with a diverse cast including US Congressmen, professional athletes, medical experts and everyday gym rats.

At its heart, this is the story of director Christopher Bell and his two brothers, who grew up idolizing muscular giants like Hulk Hogan, Sylvester Stallone and Arnold Schwarzenegger, and who went on to become members of the steroid-subculture in an effort to realize their American dream. "