Sunday Night Film Club – Boston

Joseph Gordon-Levitt and Zooey Deschanel star in director Mark Weber’s wry, non-linear romantic comedy about a man who falls head over heels for a woman who doesn’t believe in love. Mark (Gordon Levitt) is an aspiring architect who currently earns his living as a greeting card writer. Upon encountering his boss’ beautiful new secretary Summer (Deschanel), Mark discovers that the pair have plenty in common despite the fact that she’s seemingly out of his league; for starters, they both love The Smiths, and they’re both fans of surrealist artist Magritte. Before long Mark is smitten. All he can think about is Summer. Mark believes deeply in the concept of soul mates, and he’s finally found his. Unfortunately for Mark, Summer sees true love as the stuff of fairy tales, and isn’t looking for romance. Undaunted and undeterred by his breezy lover’s casual stance on relationships, Mark summons all of his might and courage to pursue Summer and convince her that their love is real. ~ Jason Buchanan, All Movie Guide

“An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat. James behaves as if he’s indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James’ true character reveals itself in a way that will change each man forever.”

Note: The Brattle Theatre now serves CBC beer at the concession!

“Chain-smoking, wisecracking private eye Philip Marlowe drives a buddy from LA to the Tijuana border and returns home to an apartment full of cops who arrest him for abetting the murder of his friend’s wife. After Marlowe’s release, following the reported suicide in Mexico of his friend, a beautiful woman hires him to locate her alcoholic and mercurial husband. Then, a hoodlum and his muscle visit to tell Marlowe that he owes $350,000, mob money the dead friend took to Mexico. Marlowe tails the hood, who goes to the house of the woman with the temperamental husband. As Marlowe pulls these threads together, his values emerge from beneath the cavalier wisecracking.”

“Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.”

Director Paolo Sorrentino’s audacious and inventive biopic of Italian parliamentarian (and “Senator for Life”) Giulio Andreotti doesn’t make the Byzantine world of modern Italian politics any less confusing (non-Italian viewers may want to brush up on the topic beforehand), but the film illuminates, in great emotional detail, important events surrounding an early-1990s investigation in which the perpetual statesman was accused of having Mafia ties. The case was appealed and overturned several times, and Andreotti never served prison time, but it effectively marked the end of his centrist Christian Democratic party and forever changed the age-old relationship between the Mafia and the Italian government. Sorrentino’s fanciful use of titles, quick edits, multiple-perspective flashbacks, slow motion, extreme close-ups, and sublime musical accents–as well as star Toni Servillo’s brilliantly stylized acting–convert this airless and sinister piece of world history into a dynamic tale of moral ambiguity and seemingly invulnerable political power. Servillo plays Andreotti as an arrogant, deadpan Puck–an Italian Richard Nixon replete with easily mimicable physical tics and the conviction of his own rightness. In the film’s most memorable scene, Servillo allows his ironic veneer to crack just once, in a molten monologue where, spit flying, he justifies “perpetrating evil to guarantee good.” Another chilling sequence intercuts a crucial Mafia hit with shots of a particularly tense and triumphant horse race, while a punky blues number roars in the background. Sorrentino’s controlled and masterly storytelling won the 2008 Prix du Jury at Cannes.

“A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him.”

“By tying thousands of balloon to his home, 78-year-old Carl Fredricksen sets out to fulfill his lifelong dream to see the wilds of South America. Right after lifting off, however, he learns he isn’t alone on his journey, since Russell, a wilderness explorer 70 years his junior, has inadvertently become a stowaway on the trip.”