Author: Boston SNFC Newsletter

From acclaimed director Pawel Pawlikowski (Last Resort, My Summer of Love) comes Ida, a moving and intimate drama about a young novitiate nun in 1960s Poland who, on the verge of taking her vows, makes a shocking discovery about her past.

A twenty-something comedienne’s unplanned pregnancy forces her to confront the realities of independent womanhood for the first time.

An officer finds himself caught in a time loop in a war with an alien race. His skills increase as he faces the same brutal combat scenarios, and his union with a Special Forces warrior gets him closer and closer to defeating the enemy.

The Dance of Reality is the first film in 23 years made by writer/director Alejandro Jodorowsky, a genuine superstar of the international artistic counter-culture, best known for his cult classics El Topo, The Holy Mountain and Santa Sangre. His eagerly-awaited new film is a sensational, outrageous, surreal, hyper-imaginative magical realist dream autobiography of his difficult childhood growing up in a family of Ukrainian-Jewish immigrants in a small coastal town in Chile (Tocopilla, where the film was shot). His father (played by Jodorowsky’s son Brontis) is harsh and dominating, an idealistic communist who attempts to assassinate a plutocratic general; his big-bosomed, over-protective mother (Pamela Flores), sings all her lines opera-style, often nude. Jodorowsky himself appears as a spirit guide to his youthful self (Jeremias Herskovits). Blending his personal history with metaphor, mythology and poetry, The Dance of Reality reflects Jodorowsky’s philosophy that reality is not objective but rather a “dance” created by our own imaginations. An unforgettable and unique film.

The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.

The world’s most famous monster is pitted against malevolent creatures who, bolstered by humanity’s scientific arrogance, threaten our very existence.

LOCKE is a feat of bold, dynamic storytelling from Oscar nominated writer-director Steven Knight (EASTERN PROMISES, DIRTY PRETTY THINGS), anchored by a tour-de-force central performance from Tom Hardy. Ivan Locke (Hardy) is a man at the top of his game. A dedicated husband, a star employee at a high-powered construction firm, he’s the model of cool professionalism with a talent for managing complex situations. Driving home on the eve of the biggest challenge of his career, Locke makes a sudden choice to go confront the only situation in his life that can’t be neatly handled. He quickly learns that the cost of becoming a better man is high. All unfurling in real time on one absolutely riveting car ride, LOCKE is a unique cinematic experience and gripping story of choices, consequences, and a man who risks everything he holds dear in order to do the right thing.

Tilda Swinton and Tom Hiddleston star in director Jim Jarmusch’s (Broken Flowers, Ghost Dog) wry, tender take on the vampire genre.

Set against the romantic desolation of Detroit and Tangier, an underground musician (Hiddleston), deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover (Swinton).

Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister (Mia Wasikowska). Can these wise but fragile outsiders continue to survive as the modern world collapses around them?

(Note: This screening is part of IFFBoston 2014 so you are strongly encourage to purchase your tickets in advance. There will be a Q&A session after the film with some of the creators.)

A comedy about Allie and Harper and their needlessly difficult journey to the beach.

Fort Tilden: New York Citys secluded seaside nirvana where, like flies to honey, Brooklyns hip millennial set flocks on sweltering weekend afternoons for unbridled summertime indulgence. Amidst the vexing stagnation of quarter-life crises, Allie (Clare McNulty) struggles to prepare for the Peace Corps, while Harper (Bridey Elliott) awaits checks from her father to fund her artistic dreams. But the two friends quickly shun responsibilities for the day when a pair of good-looking guys invites them along for a carefree Fort Tilden afternoon. As the two young women board their fixed-gear bicycles and embark on a lengthy journey to the beach, they quickly realize that, akin to their confusing, transitioning lives, they neither know where theyre going nor how they plan to get there.

The debut feature film of directors Sarah-Violet Bliss and Charles Rogersand showcasing the comedic versatility of McNulty and ElliottFORT TILDEN is a hilariously insightful and recognizable look at the consequences of extended adolescence.