Category: Uncategorized

With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts (Gwyneth Paltrow), and James “Rhodey” Rhodes (Don Cheadle) at his side, must forge new alliances — and confront powerful enemies.

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains exclusive footage of Banksy, Shepard Fairey, Invader and many of the world’s most infamous graffiti artists at work, on walls and in interview. As Banksy describes it, “It’s basically the story of how one man set out to film the un-filmable. And failed”

The Magnetic Fields have never made it easy for those who would categorize their music. Originally labeled “art pop” musicians when their first album contained no guitar, they have since continued to befuddle genre watchdogs with a quirky blend of synth, strings, experimental percussion, pop overtones, folk undertones, and, of course, that magical special ingredient: Stephin Merritt’s deep, lulling vocals. Merritt’s tone massages a catalog of richly poignant lyrics that are quite the rare find in the pop-music thicket—often most notable for their delicate simplicity.

On the other hand, Merritt himself has never made it easy for those who would categorize him. His intense demeanor has been the subject of many a sour rumor over his 20-plus-year career. Some of these ill reports he may indeed have earned through antisocial behavior. Some, however, were bitter and undeserved cuts—the price he suspects he must pay for being “a high-profile sitting duck.”

Directors Kerthy Fix and Gail OÂ’Hara provide us with comfortable, homey access to Merritt and the most important, grounding influence in his life: his decades-long friendship with his chipper musical collaborator Claudia Gonson. On his home turf, in the apartment that has doubled as the studio for the lionÂ’s share of his recordings, Merritt is anything but prickly or uncooperative. He is a reflective, passionate, and even playful artist who is producing many of the great songs of his generation.

KICK-ASS tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero. As any good superhero would, he chooses a new name — Kick-Ass — assembles a suit and mask to wear, and gets to work fighting crime. ThereÂ’s only one problem standing in his way: Kick-Ass has absolutely no superpowers. His life is forever changed as he inspires a subculture of copy cats, meets up with a pair of crazed vigilantes — including an 11-year-old sword-wielding dynamo, Hit Girl (Chloë Moretz) and her father, Big Daddy (Nicolas Cage) — and forges a friendship with another fledgling superhero, Red Mist (Christopher Mintz-Plasse). But thanks to the scheming of a local mob boss Frank DÂ’Amico (Mark Strong), that new alliance will be put to the test.

Kristen Stewart and Dakota Fanning star in this music-fueled story of the ground breaking, all girl, teenage rock band of the 1970’s: The Runaways. The film follows two friends, Joan Jett and Cherie Currie, as they rise from rebellious Southern California kids to rock stars of the now legendary group that paved the way for future generations of girl bands. With it’s tough-chick image and raw talent, the band quickly earns a name for iteself.

Four pals are stuck in a rut in adulthood: Adam (John Cusack) has just been dumped, Lou (Rob Corddry) is a hopeless party animal, Craig (Craig Robinson) is a henpecked husband, and Jacob (Clark Duke) does nothing but play video games in his basement. But they get a chance to brighten their future by changing their past after a night of heavy drinking in a ski-resort hot tub results in their waking up in 1986.

When a successful British ghostwriter, The Ghost, agrees to complete the memoirs of former British Prime Minister Adam Lang, his agent assures him it’s the opportunity of a lifetime. But the project seems doomed from the start-not least because his predecessor on the project, Lang’s long-term aide, died in an unfortunate accident. The Ghost flies out to work on the project, in the middle of winter, to an oceanfront house on an island off the U.S. Eastern seaboard. But the day after he arrives, a former British cabinet minister accuses Lang of authorizing the illegal seizure of suspected terrorists and handing them over for torture by the CIA-a war crime. As The Ghost works, he begins to uncover clues suggesting his predecessor may have stumbled on a dark secret linking Lang to the CIA-and that somehow this information is hidden in the manuscript he left behind

A masterpiece in the beautiful main theater at the Coolidge with a new 35mm print. ’nuff said.

Prodigal Sons tells the story of three fascinating siblings: filmmaker Kim, a transgender woman; Todd, a gay man; and Marc, their adopted brother who discovers heÂ’s the grandson of Orson Welles and Rita Hayworth. The bond between longtime rivals Marc and Kim, which defies both KimÂ’s gender and MarcÂ’s pedigree, exists as the fascinating heart of the film, and is orbited by a colorful, articulate cast of characters, including jailhouse chaplains, Montana farmers, intrigued high school classmates, and Orson WellesÂ’ soul-mate Oja Kodar, among others. Carol, the remarkably resilient mother who accepts her childrenÂ’s surprises with grace and optimism, provides a strong backbone for the family, as well as a clear-eyed entry-point to this drama of Wellesian proportions. All along the way surprising revelations abound: MarcÂ’s innate savant ability to play the piano, KimÂ’s smooth acceptance from schoolmates and community, and their younger brother ToddÂ’s well-adjusted attitude about being gay. After pulling for this family through its trials and tribulations, we learn that a poignant sense of hope will carry them through

“David Dutten (Timothy Olyphant) is sheriff of Ogden Marsh, a picture-perfect American town with happy, law-abiding citizens. But one night, one of them comes to a school baseball game with a loaded shotgun, ready to kill. Another man burns down his own houseÂ…after locking his wife and young son in a closet inside. Within days, the town has transformed into a sickening asylum; people who days ago lived quiet, unremarkable lives have now become depraved, blood-thirsty killers, hiding in the darkness with guns and knives. Sheriff Dutten tries to make sense of whatÂ’s happening as the horrific, nonsensical violence escalates. Something is infecting the citizens of Ogden Marsh…with insanity. Now complete anarchy reigns as one by one the townsfolk succumb to an unknown toxin and turn sadistically violent. In an effort to keep the madness contained, the government uses deadly force to close off all access and wonÂ’t let anyone in or out – even those uninfected.”