Join the Boston Sunday Night Film Club this Sunday, June 5th at 7:05pm for “Brothers” at the Kendall Square Cinema. Look for Sean wearing a nametag and sitting with his crutches in the little seating area in the lobby about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion.

“Newly released from prison, Jannik (Nikolaj Lie Kaas, Reconstruction) is met by his brother Michael (Ulrich Thomsen, The Inheritance), a soldier about to be deployed to Afghanistan. Soon they revert to familiar family rolesb nnik as the alcoholic Black Sheep, and Michael as the responsible Golden Boy. Shortly after commencing his tour of duty, Michael’s helicopter crashes and he is presumed dead, so Jannik becomes close to Michael’s wife Sarah (Connie Nielsen, Gladiator) and her daughters. But Michael survives the crash, and is on his way home…. Winner of the Audience Award for World Cinema (Drama) at the 2005 Sundance Film Festival. Directed by Susanne Bier (Open Hearts). (Fully subtitled)”

The Boston Sunday Night Film Club will be taking this holiday weekend off, but we will return the following week with “Brothers” on Sunday, June 5th.

Join the Boston Sunday Night Film Club this Sunday, May 22nd at 3:30pm (another early show) for Double Dare at the Coolidge Corner Theatre. Look for Sean wearing a nametag and sitting with his crutches either outside if it’s nice or in the lobby about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion. This film is showing in the Coolidge’s small screening room, so you might want to purchase tickets ahead of time from their website.

Just as a heads-up, the Boston SNFC will be taking Memorial Day weekend off.

This double-barreled, action-packed documentary follows two un-sung Hollywood heros: Jeannie Epper and Zoë Bell, who have been set on fire, thrown off buildings, dragged by wild horses and hit by cars. As stuntwomen, Epper doubled for Wonder Woman in the 70’s, and New Zealand native Bell landed the coveted job doubling Xena at the age of 18. Academy Award winning director (and Boston native) Amanda Micheli fills DOUBLE DARE with star-studded interviews and rollicking live-action stunt sequences, to create a candid look at these two strong, dedicated women.

Join the Boston Sunday Night Film Club this Sunday, May 15th at 3:30pm for “Shane” at the Brattle Theatre. Look for Sean wearing a nametag and sitting with his crutches outside the box office about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion. This showtime is earlier than we usually meet, and it hardly qualifies as “Night”, but it was the last showing of this classic film.

George Stevens’ classic Western, adaptated from the Jack Schaefer novel, stars Alan Ladd in the title role. Riding the ranges of Wyoming’s Grand Tetons, Shane stops at the farm of homesteader Joe Starrett (Van Heflin) just before Ryker (Emile Meyer), a powerful and predatory cattleman, arrives with his hired muscle to make the farmer a threatening offer for land that he intends to get by any means necessary. When Shane lets the cattle baron know that his gun will back Starrett if there’s any trouble, the grateful homesteader offers the stranger a job as a hired hand, which he accepts. Joe’s young son Joey (Brandon de Wilde) is drawn to the quiet stranger, whose difference from the men he knows is confirmed by the accidental revelation of a gunfighter’s lightning reflexes. Shane becomes a valuable asset to the farm, but is slowly drawn into the continuing hostilities between the two opposing groups. To complicate matters, Shane feels an unspoken, and unwanted, attraction to Starrett’s wife Marian (Jean Arthur). This creates a sense of ambivalence in Joe, whose son already idolizes the gunslinger. Stevens’ meticulous artistry imbues the simple Western with the mythic aura of an Arthurian legend, as Loyal Griggs’ beautifully composed images provide the canvas for career performances by Ladd, Heflin, Arthur, and de Wilde, in what many regard as the finest western ever made.

Join the Boston Sunday Night Film Club this Sunday, May 8th at 7:00pm for “Enron: The Smartest Guys in the Room” at the Kendall Square Cinema. Look for Sean wearing a nametag and sitting with his crutches in the little seating area in the lobby about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion.

“Based on the book by Bethany McLean and Peter Elkind, director Alex Gibney (writer and co-producer of The Trials of Henry Kissinger) presents the inside story of one of the greatest business scandals in history, when top executives of Enron, America’s seventh largest company, walked away with over one billion dollars while investors and employees lost everything. Inside accounts and controversial tapes show the unimaginable personal excesses of the Enron hierarchy and the moral vacuum that posed as corporate philosophy - and how their actions may shape our economy for years to come.”

Join the Boston Sunday Night Film Club this Sunday, May 1st at 7:15pm for “The Hitchhiker’s Guide to the Galaxy” at the Fenway 13. Look for Sean wearing a nametag and sitting with his crutches in the little seating area in the lobby (between the ticket booths and the video games) about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion (and I promise that this week that establishment WILL NOT be Longhorn. :P).

“The Hitchhiker’s Guide to the Galaxy is a wholly remarkable book. It has been compiled and recompiled many times over many years and under many different editorships. It contains contributions from countless numbers of travellers and researchers.

The introduction begins like this:

“Space,” it says, “is big. Really big. You just won’t believe how vastly hugely mindboggingly big it is. I mean you may think it’s a long way down the road to the chemist, but that’s just peanuts to space. Listen …” and so on.

(After a while the style settles down a bit and it begins to tell you things you really need to know, like the fact that the fabulously beautiful planet Bethselamin is now so worried about the cumulative erosion by ten billion visiting tourists a year that any net imbalance between the amount you eat and the amount you excrete whilst on the planet is surgically removed from your bodyweight when you leave: so every time you go to the lavatory it is vitally important to get a receipt.)

Join the Boston Sunday Night Film Club this Sunday, April 24th at 6:50pm for “The Interpreter” at the Fenway 13. Look for Sean wearing a nametag and sitting with his crutches in the little seating area in the lobby (between the ticket booths and the video games) about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion.

“Escalating events begin when African-born U.N. translator Silvia Broome alleges that she has overheard a death threat against an African head of state, spoken in a rare dialect few people other than Silvia can understand. With the words “The Teacher will never leave this room alive,” in an instant, Silvia’s life is turned upside down as she becomes a hunted target of the killers. Placed under the protection of federal agent Tobin Keller, Silvia’s world only grows more nightmarish. As Keller digs deeper into his eyewitnesses’ past and her secretive world of global connections, the more suspicious he becomes that she herself might be involved in the conspiracy. With every step of the way, he finds more reasons to mistrust her. Is Sylvia a victim? A suspect? Or something else entirely? And can Tobin, coping with his own personal heartache, keep her safe? Though they must depend on one another, Silvia and Tobin couldn’t be more different. Silvia’s strengths are words, diplomacy and the subtleties of meaning, while Tobin is all about instinct, action and reading into the most primal human behaviors. Now, as the danger of a major assassination on U.S. soil grows and Silvia’s life hangs in the balance, Silvia and Tobin play out a gripping dance of evasion and revelation that keeps them both guessing as they race to stop a terrifying international crisis before it’s too late.”

Our old listserv at finkelhedron.org went down again, so I took this opportunity to move the mailing list to the host of the webpage ( warped.net). So from now on all mailing list subscription/unsubscription can be handled here. I believe I have updated all of the links on this webpage to reflect the new mailing list, but if you see one I forgot let me know.

Unfortunately, the last backup I had of the mailing list subscriptions was from early March, so if you’ve subscribed since then you will have to re-subscribe. Sorry for the hassle..

Due to some personal conflicts, there will be no meeting of the Boston Sunday Night Film Club this weekend (April 17th). We will return the following week (April 24th). Enjoy your weekend, and see you next week!

Join the Boston Sunday Night Film Club this Sunday, April 10th at 4:45pm for “Millions” at the Coolidge Corner Theatre. Look for Sean wearing a nametag and sitting with his crutches either outside if it’s nice or in the lobby about 15 minutes before the film. As always, after the film we will descend on a local establishment for dinner/drinks/discussion.

Don’t let the films of Danny Boyle fool you. The director of edgy hits like SHALLOW GRAVE, TRAINSPOTTING and 28 DAYS LATER isn’t really a cynic, and this enchanting and supremely charming family (yes - family!) fantasy proves it. Starting anew after the death of their mother, 9-year-old Anthony and 7-year-old Damian move to suburban Manchester with their dad. It is a time of readjustment, and while Anthony is ever practical, Damian uses his imagination to create an array of companions - the Catholic Saints, whom only he can see and hear. When one day a sack of stolen cash falls to him from the sky (or so it seems), Damian decides to donate the money to the poor and help his mother gain her sainthood in the afterlife. His actions lead to high comedy, with the right touch of genuine sincerity, in Danny Boyle’s first family classic.