Join the Boston Sunday Night Film Club this Sunday, April 8th at 8:00pm for “Grindhouse” at the Regal Fenway Stadium 13.
This is a double-feature and will run about 3 hours. Because of the length of this film combined with the available showtimes, the club is going to be a little different this week, as we will be meeting for food and drink BEFORE we venture over to the Fenway 13 Theatre for the film. Meet us at Boston Beer Works (61 Brookline Ave. – Opposite Fenway Park) at 6pm, look for Sean wearing a nametag outside the restaurant. We will get a table based on the headcount at 6pm, but if you need to show up later we can hopefully get a second table and float between them.
Purchasing tickets in advance is strongly suggested, as this is likely going to be a popular show. It is in one of the larger theatres at Fenway (#13), but at a minimum you might want to buy tickets before coming to the restaurant, if you don’t order them ahead of time online…
“Kill Bill director Quentin Tarantino and Sin City director Robert Rodriguez join forces to offer a cinematic tribute to the blood-soaked exploitation epics of yesteryear with this hyper-violent coupling of two 60-minute features punctuated by a collection of outrageous trailers. In “Death Proof” — director Tarantino’s take on the slasher films of the 1970s and ’80s — Kurt Russell stars as an engine-revving psychopath who prefers to take out his victims hit-and-run style. Rodriguez’s segment — entitled “Planet Terror” — details the violent struggle between a ravenous army of zombie-like humanoids who have taken over a planet not so different from our own, and the remaining survivors who refuse to go down without a fight. Its tantalizing title borrowed from the term frequently used to describe the seedy, 1970s-era inner-city movie theaters that screened excessive, low-budget independent films containing copious amounts of violence and nudity as a means of offering counter-programming to the decidedly more restrained big-budget studio films, Grindhouse takes its love for these unabashedly sleazy efforts one step further by offering an intermission which showcases a jaw-dropping collection of fake exploitation trailers.” ~ Jason Buchanan, All Movie Guide